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Jersey Boys, which has already been seen by more than 20 million people, premieres in the South Bay on July 15-20 at San Jose’s Center for the Performing Arts, 255 S. Almaden Blvd. The 2006 Tony Award winner for best musical, written by Marshall Brickman and Rick Elice and directed by Des McAnuff, stars Adam Zelasko, Hayden Milanes, Nicolas Dromard and Quinn VanAntwerp respectively as the original Four Seasons: Nick Massi, Valli, Tommy DeVito and Bob Gaudio. Each actor tells his character’s side of the band’s ups and downs, a tale stuffed with the cherished tunes of baby boomers everywhere. (The POV device is also used in the current film version of Jersey Boys, although judging from the tepid critical response, not nearly as effectively.).

Mr, Clunkhead, a tough guy with a heart of gold, is an urban gardener, Rabinowitz explains, “He has a sidekick, who’s a worm, Mr, Clunkhead can understand red ballet shoes clearance sale him, So it’s a Chewbacca/Han Solo kind of thing, They’re hysterical.”, Stein adds, “Up and Down are two kind of contrary, monster philosophers and they’re fun for us to perform with, They’ll definitely be making an appearance at the Palo Alto show, in one of their songs, called ‘Color Wheel,’ about mixing different colors.”..

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The Californians, While cities like San Francisco do what they can to stop or even just slow down The Wall from becoming a reality, three California Democrats have a similar warning for contractors who do Trump’s bidding: Build it, and we will divest from your company, The lawmakers have red ballet shoes clearance sale introduced a bill that would force the state to drop its pension investments in any companies involved in the project. “This is a wall of shame and we don’t want any part of it,” Assemblyman Phil Ting, D-San Francisco, said in a statement, “Immigrant stories are the history of America and this is a nightmare.”..

From what’s on display in San Jose, it’s obvious what all the fuss is about. Dennis Kelly’s book for the musical is backed with riotous dark humor, and the songs by Tim Minchin are delightfully clever, accentuated by dynamic choreography by Peter Darling. Director Matthew Warchus’s production is fast-paced, inventive and appropriately gloomy. The ever-shifting set by Rob Howell (who also designed the costumes) is fantastically fantastical and riddled with letters of the alphabet. Reprising the role she played on the first go-round of the national tour, Gabby Gutierrez is charmingly matter-of-fact and a lovely singer as the precocious bookworm Matilda Wormwood (alternating with fellow 11-year-olds Jaime MacLean and Jenna Weir, veterans of the Toronto production). While her classmates are still struggling with the alphabet, the unusually gifted youngster is devouring great works of literature through the local library, staffed by a gushingly effusive Keisha T. Fraser as a friendly librarian thirsty for the morbid stories Matilda tells.