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SCORPIO (Oct. 23-Nov. 21): Your most important asset is your reputation. Give someone the benefit of the doubt to avoid losing ground. Acting under false pretenses can get your foot in the door, but with negligible results. SAGITTARIUS (Nov. 22-Dec. 21): Sharp words can cut deep. Speak gently, stay below the speed limit and avoid being aggressive. It is tempting to be competitive with everyone and everything, including yourself. CAPRICORN (Dec. 22-Jan. 19): Good things come to those who wait. If you play solitaire and you lose the only thing that gets hurt is your pride. If you are playing against others, however, you can lose money.

Voices of Latin Rock Autism Awareness Benefit, 6 p.m, Jan, 15, Lydia Pense, Karl Perazzo and All-Star Band, Tony Lindsay, Rick Stevens, Richard Bean, John Santos Quintet, Little Willie G, Pat Vegas, Quino and other performers, Bimbo’s 365 Club, 1025 Columbus Ave, (at Chestnut Street), San Francisco, $150 – $75 table seats; $55 general admission, 415-285-7719 or latinrockinc.com/home/event/volr10 als owww.bimbos365club.com, The mesh drawstring black small ballet jazz tap pointe shoe glove ditty bag; free shipping within usa; dance team cheer softball gif Pat Travers Band, 8 p.m, Jan, 16, $22-$28, Club Fox, 2209 Broadway, Redwood City, 877-435-9849 or www.clubfoxrwc.com..

At a recent Stanford alumni conference — “Are you happy now,” moderated by former CBS News anchor Katie Couric — the focus was on just that. The panel featured Stanford professors and David Kelley, founder of IDEO, a design and innovation firm based in Palo Alto. It’s hard to believe, but more than 1,000 books on happiness were released last month on Amazon, Couric said. Panelists first defined happiness as a feeling good experience, a combination of pleasure and meaningfulness, knowing how to have fun, and doing something with a purpose.

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Instead of promoting himself and his work, he was probably out hiking with his good friend (and renowned nature photographer) Ansel Adams, according to Raboy. “Remembering Ansel Adams,” definitely elegiac, was animated with something like a 20th-century version of of Antonio Vivaldi’s musical scene-painting. It was hard not to imagine rippling cataracts amid streams and rivers or vast open deserts and lonely mountain peaks under a luminous moon as the orchestra coursed its way through the piece. Principal players Mark Shannon, clarinet, and Leighton Fong, cellist, performed hauntingly beautiful, songlike solos, while the piece ended with suggestions of a slowing heartbeat emanating from the orchestra’s percussion section.