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But there’s no denying the lights aren’t there, and in a place that changes as fast as San Jose and the rest of the valley does, we’re always in danger of letting go of community traditions like the Almaden Plaza lights, Christmas in the Park or the “Peace on Earth” sign at the Pruneyard. They’re important to our sense of place and continuity as a community. (And don’t think we haven’t noticed the “Peace on Earth” sign moved to the shorter of the two Pruneyard towers, either.).
The Pavilion was operated by the city of Concord, with Bill Graham Presents (BGP) serving as the booking agent, Although the Pavilion was built to host the very popular Concord Jazz Festival, BGP booked many seasons with concerts by the most popular rock, pop and country bands from Tina Turner, Sting, Whitney Houston, Diana Ross, B.B, King, Santana, Dolly Parton, and many, many others, Each year, dozens of performances were booked at the 80s ballet slippers facility; ticket buyers could buy a subscription to the acts in their favorite music genre..
Jason Moran and Aaron Diehl, two of jazz’s finest pianists, have spent a good deal of time delving into the music of seminal artists of the 1920s, revealing powerful currents that connect the contemporary scene with nearly century-old innovations. A 2010 MacArthur “genius” Fellow and Artistic Director for Jazz at the Kennedy Center, Moran presents his Fats Waller Dance Party at Oakland’s historic Paramount Theatre on Saturday. “Fats has a rich catalog,” says Moran, 42, who interpreted Waller standards like “Jitterbug Waltz” and “Honeysuckle Rose” on his 2014 album “All Rise: A Joyful Elegy for Fats Waller” (Blue Note). “But part of his genius is how he manipulated other people’s music. He was able to mask his supreme technical ability within his performance style.”.
In between these extremes of old and new, there is much more mainstream fare, This year’s inductees include the 1956 sci-fi adventure “Forbidden Planet,” notable for being the first film to feature a robot with personality; “The Magnificent Seven,” a 1960 western inspired by Akira Kurasawa’s “Seven Samurai”; and “Pulp Fiction,” Quentin Tarantino’s 1994 puree of genre films, Established in 1989, the National Film Registry now numbers a total of 625 films, and includes such obvious classics as “Citizen Kane” (1941); “The Wizard of Oz” (1939) and “Casablanca” (1942), along with such surprising choices as amateur filmmaker Abraham Zapruder’s 1963 footage of the Kennedy assassination; Jon Landis’ 1983 music video for 80s ballet slippers Michael Jackson’s “Thriller”; and a 1972 short known as “A Computer Animated Hand.” Created as a college project by one of the men who went on to found Pixar, it’s thought to be one of the earliest example of 3-D computer animation..
Acoustic Evening with Lyle Lovett and Robert Earl Keen: 8 p.m. Feb. 7. Fox Theatre, 2215 Broadway St, Redwood City. $45-$95. https://www.foxrwc.com/. Pixies, Weezer: Aug. 7. Shoreline Amphitheatre, Mountain View. $33-$93. http://www.livenation.com. Hillbarn Theatre: “Annie.” Nov. 30 through Dec. 17. Directed by Virginia Musante. Featuring Emily Mannion, Ric Iverson, Sarah Armstrong, Annmarie Martin, David Blackburn, Sarah Thermond, Gary Pugh Newman, Mateo Brent, Ryan Courtin, Gibson (Gold), Lila Gold, Doug Greer, Michael Grasso, Sarah Hammond, Angela Harrington, Athena Hart, David Issel, Gabby Jison, Charlotte Kehrberg, Sydney O’Donnell, Joan Pugh Newman, Samantha Resser, Catherine Rieflin, Ray Ross, Maya Sanchez, Sheridan Stewart and Catherine Traceski. Hillbarn Theatre, 1285 E. Hillsdale Blvd., Foster City. $27-$52. http://www.hillbarntheatre.org or 650-349-6411, ext. 2.
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